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As of December 2019, all live action footage for the game has completed filming, and the game is expected to release in June 2020. On December 15th, it was confirmed that the game is being developed for iOS, Android, Nintendo Switch, Playstation 4, and PC platforms.

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The price point of ¥1900 (approximately $20) is intended to bring the game in line with an average Blu-Ray movie release, in order to attract movie fans who might not play many video games. In this way it seems the game is hoping to appeal to audiences in the way that Black Mirror: Bandersnatch had crossover appeal as a piece of interactive media. Producer Shinsuke Umeda commented that because the concept of the game is 'a new entertainment type that is neither a movie nor a game', they are looking to market the game in such a way that it appeals to movie fans who don't normally play video games, and asks people to 'Please think of it as one of the entertainment options for movies or Netflix'.

Despite knowing that FMV-style games have a very small audience - self-deprecatingly predicting that a Death Come True might 'only sell 35 copies worldwide, all bought by my relatives', the game is a passion project for Kodaka because of his previous original goal of working in the film industry. His aspiration with the game was to create a project that was 'neither a game nor a movie', but a new kind of entertainment which is a blend of both. Without the restraints of working for a big studio, Kodaka was able to work on projects he wanted to, rather than ones that a big studio would consider marketable.

Kodaka and several other ex-Spike employees parted ways with Spike Chunsoft in 2017, where they formed a new independent games studio, TooKyo Games. Following this experience, Kodaka then became a scenario writer, first employed by Arc System Works to produce stories for the Jake Hunter series, and was later hired by Spike Chunsoft where he created his own successful visual novel original IP series, Danganronpa.

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Kodaka's professor helped Kodaka gain the opportunity to work as an Assistant Director on Kinji Fukasaku during the production of Clock Tower 3, where Kodaka helped to produce the full motion video-style cutscenes. While in university he worked part-time at the video games store Chameleon Club which gave him the ability to play a lot of games due to his staff discount, and his goals shifted from working in the film industry to applying his knowledge to the video games industry. Mino Development Pre-Production and Development Īs a child, director Kazutaka Kodaka was obsessed with movies and video games, and went on to major in film studies at Nihon University College of Art.